works
Mit Popcorn übern Schotterweg, 2020
Safety first, 2020
Identity sucks, 2020
Doubles, 2020
Grey-Painting, 2019
Autoprojection, 2019
Cliffhanger, 2019
Grey, 2018
Running Apart, 2018
Vancouver Curtains, 2017
ad hoc, 2017
7 Textiles, 2017
a series of Draperies, 2017
Codes and Characters, 2016
Um den Morast zu umgehen, gingen wir Richtung Osten, 2016
Fields, 2015
Thin Ice, 2014
Edition Escapes, 2014
fashion label
Fashion_van reimersdahl berlin, 2003-2013
Matches Performance, 2011
Matches collection, 2011
Surface Lab, 2011
urban intervention Gender Neutral, 2010
Pearls Project, 2009
fashion show MQ Vienna, 2008
Edition No Genre No Gender, 2007
Costume department, movie Speed Racer, 2007
Textile printing for PRADA, 2004
Botticelli Sculptures, 2006
Edition Galactic, 2004
redlightorange, 2004
Edition Neon, 2003
works
Mit Popcorn übern Schotterweg, 2020
Acrylic paint on fabrics, 240 x 310 x 220 cm, Haus am Lützowplatz, Studiogalerie, Berlin
Groupshow
0+255_Studiogalerie
Haus am Lüzowplatz, Berlin
29.08-20.09.2020
Curated by Andrea van Reimersdahl and Katja Pudor with the idea of combining positions of artists who limit their working practice to the use of the colors black and white with their achromatic gradations.
Gabriele Basch / Ursula Döbereiner / Ricarda Hopp / Gesa Lange / Kanta Kimura / Katja Pudor / Andrea van Reimersdahl Sophia Schama / Tilman Wendland / Paul Wesenberg
29.08-20.09.2020
works
Safety first, 2020
01-016, digital photos in relation to the Covid-19 pandemic
works
Identity sucks, 2020
Billboard, Cologne
Based on digitale photographs, 2014
Image & text: Reclaim Award, 2020
The Reclaim Award replaces advertisment in public spaces with art.
www.reclaim-award.org
Andrea van Reimersdahl paints in multi-dimensions. Titled “Identity sucks,” she visualizes the notion of moving images interacting above and beyond the exhibition space. In the photograph, the artist depicts herself wrapped in her own paintings. Her identity vanishes and the abstract materials begin to shape. Textures, colors, and materials literally become the artist, and this is how she communicates with her audience.
works
Doubles, 2020
acrylic paint on paper, 2020
works
Grey-Painting, 2019
acrylic paint on both sides on textiles, rubber ropes, concrete bricks, stoppers, headlight, 1000 x 600 x 600 cm, Künstlerforum Bonn
Group Show 0+255 Bonn
Thomas Hawranke
Karwath+Todisko
Andrea van Reimersdahl
Maximillian Siegenbruk,
Vanja Vukovic
works
Autoprojection, 2019
Decorated wiper motors, headlight, 160 x 120 x 200 cm, Künstlerforum Bonn
A pair of two motors combine under direct lighting to form a moving shadow image. One motor runs at an interval of 10 minutes.
Video documentation: https://youtu.be/xzV4lbAX1uQ
works
Cliffhanger, 2019
acrylic paint on both sides on 34 m2 textiles, rotation motor, technical supplies, fluorescent tubes, 400 x 160 x 150 cm, Meinblau e.V., Berlin
Video documentation: https://youtu.be/U_jG2gC8CRA
Kanako Ishii, Mareike Jacobi, Karwath+Todisko, Katja Kollowa, Christian Meyer, Virginie Mossé, Katja Pudor, Andrea van Reimersdahl, Richard Schütz, Marc Soisson
Performance Karen Linnenkohl
01.03.-17.03.2019
More information: nullplus255.com
The exhibition was supported by:
Pankow District Office of Berlin, Hans and Charlotte Krull foundation, Embassy of Luxembourg in Germany.
works
Grey, 2018
acrylic paint on both sides on 52m2 textiles, ropes, concrete weights, rotation motor, timer, 480 x 320 x 380 cm, Raum Vollreinigung, Berlin
The motorised traction rope changes the spatial work Grey by a monotonous up and down movement in 4 minute intervals.
Video documentation: https://youtu.be/awXQBZwyrkc
Line, 2018
Mural painting, 200x120cm, spray mist from black ink
Exhibition Nerfect
Katja Kollowa & Andrea van Reimersdahl
10. - 11.11.2018, Raum Vollreinigung, Wassertorstrasse 65, 10969 Berlin
www.raumvollreinigung.de
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works
Running Apart, 2018
Acrylic paint on various textiles, fluorescent tubes, rotation motor, timer, 400 x 300 x 300 cm, Berlin-Weekly, Berlin
Videodocumentation: https://youtu.be/2nDS5LxI2qc
Running Apart is made for the window of Berlin-Weekly. The viewer perceives a spatial composition of several pictorial surfaces inside through the window. The centre of the image is a quotation from a drawing by Kandinsky materialised as lines of light. An automated pulling device changes the space and influences the view of the viewer. In a 4-minute interval, a transparent picture surface is pulled up and obscures his view. The result is a moving painting.
Source:
Kandinsky, point and line to plane,
contribution to the analysis of the pictorial elements
Figure 64, Running apart.
02.03.2018 – 09.04.2018
www.berlin-weekly.com
http://www.stefanieseidl.com/berlinweeklycom/?m=201803
works
Vancouver Curtains, 2017
Architectural Commission, Curtains for Concept Store, Vancouver (CA)
Leisure Center is a multi-label store for avant-garde fashion design in Vancouver. The space extends over 2000m2 on two floors. In cooperation with Caspar Mueller Kneer Architects a design concept for curtains was developed. From three different fabric qualities, I developed an idea for each floor. The sewn surface was hand-printed in screen technique in Berlin. The graphic design is based on digital drawings. Lines compress or disperse in waves. Printing is done over seams. Unprinted passages alternate with printed ones across the entire width of up to 38 meters. A black-and-white contrast interacts with the transparency of the fabric in interplay with light and shadow. The surface treatment of the textiles makes the curtains unique. Their technical function is sound absorption, daylight regulation and visual protection.
Dimensions ground floor:
Curtain width: 24m in 4 parts
Curtain height: 3,53m
Material: Polyester Trevira CS, flame retardant
Brand: Kobe Safe CS Colour 02 & 012, Nya Nordiska Gloss CS Colour 03
Dimensions: Basement
Curtain width: 38m in 7 parts
Curtain height: 3,24m
Material: Polyester Trevira CS, mixed metal fabric, flame retardant
Brand: Delius cool Lining, Kobe Safe CS Colour 02, Nya Nordiska Gloss CS Colour 03
Photo documentation, Katja Renner, Cafe Moskau Berlin, Saal Moskau
works
ad hoc, 2017
Acrylic paint and silkscreen on textiles, draped on wooden frames, with pulling devices, as curtain, with body performance, 1000 x 5080 x 330 cm, saasfee*pavillon, Frankfurt a.
The exhibition MODEST MONUMENTS was supported by the Cultural Office of the City of Frankfurt am Main and the Hessian Ministry for Science and Art.
The performance is the opening event of the MODEST MONUMENTS exhibition at the sassfee*pavillon in Frankfurt am Main.
The performance is a dependent, yet self-dynamic part of the spatial installation. A person walks for 60 minutes masquerading van Reimersdahl's space installation AD HOC (to this one) and the adjoining outdoor space. She pauses before the viewer's eyes and demonstrates the mobility of the drapes. At times her appearance fuses with the spatial installation. In the outside space, her figure appears surreal. Occasionally she seeks the closeness of the visitors. The human body is the vehicle on which the fabrics become threedimensional and mobile. Their appearance and their seemingly automated procedure attract the viewer's attention. An obvious documentation is part of the event.
Photographs: Moritz Bernoully and sassfee*pavillon
Performerin: Johanna Wallenborn
Video documentation: https://youtu.be/AOMykUOjYUE
works
7 Textiles, 2017
Architectural Collaboration,
scetches for art in public space in cooperation with the school of Architecture of the Chinese University of Hong Kong with Professor Hendrik Tieben
works
a series of Draperies, 2017
drapery #13, acrylic paint and silkscreen on textiles, link chains, 630 x 500 x 80cm, Uferhallen, Berlin
a series of draperies, 2015, acrylic paint and silkscreen on fabric, eyelets, link chains, various formats
Scetches for art in public space project in cooperation with
works
Codes and Characters, 2016
acrylic paint & silkscreen on textiles, digital print on curtain, with performance, 400 x 400 x 400 cm,
Edition of 10 Leggings, Benhadj&Djilali Gallery, Berlin
The spatial work Codes and Characters by Andrea van Reimersdahl cover room corners and walls and spans an amorphous structure of graphics in the middle of the room. The viewer is forced to make his way through it to reach the rear exhibition space.
A performance marks the start of the group exhibition Open Pieces in the Benhadj&Djilali Gallery. An exposed figure and a photographer move through the exhibition over a period of 60 minutes. The exhibition space and the adjoining outdoor space extend the radius of the textile room installation beyond the gallery space. Treated textiles are presented to performers and photographers as clothing. The figure pauses on her way at various stations. The photographer captures these moments as facets of space and time. Meanwhile, the viewer is in the center of the action.
Performer: Talita Sechi
Photos: Maansi Jain
Groupexhibition Open Pieces, Benhadj&Djilali Gallery, Berlin
With Kanako Ishii, Hervé Humbert, Andrea van Reimersdahl, YBDD
works
Um den Morast zu umgehen,
gingen wir Richtung Osten, 2016
To avoid the mud, we headed east, 2016, silkscreen and foil on fabrics, wooden strips, link chains, eyelets, acrylic glass mirror, fluorescent tubes,1150 x 400 x 270 cm, with performance, Kunsthalle am Hamburger Platz, Berlin
Drapery #11, 2016
acrylic paint & screen print on textiles, wooden strips, link chain, eyelets, ca.130x40x40 cm
Growing through the fence, 2016
ink, marker, pencil on folded paper,
29,5x48,9 cm, wooden frame white 32x32 cm
from the series, VSUS, 2015
ink, marker, acrylic paint, foil on paper, ca.66,2x41 cm,
wooden frame white 92,8x72,8 cm
The Slight Show exhibition and catalogue was funded by the Pankow District Office in Berlin and from the Mart Stam Society.
ESCAPES Performance
As part of the SLIGHT SHOW exhibition at Kunsthalle am Hamburger Platz, an excerpt of the ESCAPES screen-print edition is shown as a staged performance.
The figure, as an exhibit, wears clothing from the edition of hand-made, one-off screen-printed pieces. For a period of 60 minutes, she paces through the exhibition space and the adjoining outside space. Like an algorithm that measures space in stages with the scale of time, the figure pauses at various stations of its performed trajectory. Visible to the visitors, she pauses, motionless, like a sculpture. The person is present but, with her head mask, denies the visitor direct eye contact. The almost mechanical performance, between movement and standstill, is repeated in rhythmic sequence.
Photographs: Annette Hauschild and Ivonne Dippmann
Booklet: 32 pages, edition 200, offset printing, 4/4-colour, Design DIG Berlin, Karsten Heller
Performer: Natia Bakhtadze
works
Fields, 2015
acrylic and silkscreen on textiles, 1920 x 403 cm,
ink and pencil on paper 01-04, each 42 x 29 cm,
Benhadj&Djilali Gallery, Berlin
Textile paintings are fitted into the exhibition space in the manner of walls, tracing the existing architecture. Softness and lightness cover solidity and density. Modular mobile textile paintings create a spatial atmosphere defined by the language of material. Fabric and printed graphics meld into a contrasting overall composition. The play of light and shadow is emphasised by transparency and density of the material. The visitor moves about in an abstract spatial imagery.
A cycle of drawings, FIELDS 01-04, appears between the solid and the textile walls. Quantities of lines proliferate in dynamic movement in front of a grid backdrop.
Ink and pencil on paper, 01-04, 42 x 29 cm.
Fields Part 1:
100%PES velour black, 50%PL / 50%CO (dnw) black, 100%CO black, 100%PES (Jab) white Hand screen printing technique, textile dye, Discharge, foil, curtain tape 5cm / Motive: Lines and areas (pitting, fir needles, branches) / Dimensions: 4,70 x 4,03 m
Fields Part 2:
100%PES (Linello) cream, 50%PL / 50%CO (dnw) black, 70%PES / 30%CO (Siglo) white, manual screen printing technique (printed folded on both sides), textile colour, Discharge, acrylic varnish, foil, curtain tape 5cm / Motive: Lines and areas (pine needles, pitting, fir needles, leaves, branches) / Dimensions: 8,30 x 4,03 m
Fields Part 3:
100%PES (Linello) white, manual screen printing technique, textile dye, foil, textile varnish, reserve paste, curtain tape 5cm / Motive: lines and areas (leaves, grasses, pine needles, fir needles) / Dimensions: 3,40 x 4,03 m
Fields Part 4:
100%PES (Linello) cream, 70%PES / 30%CO (Siglo) white, hand screen printing, textile dye, curtain tape 5cm / Motive: area (leaves) / Dimensions: 2,80 x 4,03 m
Photographs: Annette Hauschild
works
Thin Ice, 2014
acrylic paint, ink, silk screen on fabrics, fluorescent tube, 240 x 300 x 115 cm, Galerie Ursula Walter, Dresden
Thin ice, 2014 by Andrea van Reimersdahl combines aestheticized abstract natural textile print shapes with the carrier material. The staging of the translucent images at the glass facade of the gallery causes the interior and exterior to melt into each other, the boundary becoming diffuse. The amorphous draping of the materials guides the view to the textile painting with its loose hanging, which oscillates between obscuring and revealing.
IN A WILDERNESS OF MIRRORS, 2014, Galerie Ursula Walter, Dresden
Gunnar Borbe, Christian Heilig, Sibylle Jazra, Stefanie Mayer, Nadine Rennert, Richard Schütz, Jörn Gerstenberg, Andrea van Reimersdahl, Matthias Röhrborn
Photographs: Richard Schütz
works
Edition Escapes, 2014
collaboration, silk screen one-off pieces, Andrea van Reimersdahl & Ivonne Dippmann, Berlin/Tel Aviv
The objective of ESCAPES is to enable the cooperation of two artists at the interface of art and fashion. The analogue production approach of this project forms a clear counter-position to mass production and cut-price textile products in the context of contemporary production structures. ESCAPES places Tel Aviv and Berlin in context as urban action spaces in the form of a dialogue, and thereby merges these socially and politically different "landscapes" into one object.
Edition ESCAPES
by Andrea van Reimersdahl and Ivonne Dippmann,
Berlin - Tel Aviv 2014/15,
112 One-Off-Pieces screen printed by hand.
Photos: Daniel Reiter
Catalogue: https://www.van-reimersdahl.com/files_processed/64dadbbd1d966b87.pdf
Shoes: Trippen, Berlin
fashion label
Fashion_van reimersdahl berlin, 2003-2013
With the idea of an extended painting on the human body or art to wear, by painted and printed fabrics, I founded the art fashion label "van reimersdahl berlin". I worked under it for over 10 years with international success (2003-2013).
All subsequent works in this period are activities of the label and took place in cooperation with interns and assistants from the fields of art and design.
fashion label
Matches collection, 2011
Collektion
van Reimersdahl Shop, Berlin
Photo 01-05 by Christian Del Monte
Photo 06: Presentation displayed in window of Galeria Kaufhof, Alexanderplatz, Berlin
Photo 07: Studio shot
fashion label
Surface Lab, 2011
textile paint on tights. Modifications on shoes
fashion label
urban intervention Gender Neutral, 2010
Cartoon Shirt Edition, Berlin
Cartoon Booklet by Helene Youloune for VAN REIMERSDAHL / Instagram @youloune
Photos: Ines und Miranda
fashion label
Pearls Project, 2009
Fashion Collection: Andrea van Reimersdahl & Bekki Braun
Photos: Karin Betzler & Andrea van Reimersdahl
Model: Anne
Project: Lackschuh
fashion label
fashion show MQ Vienna, 2008
Outfits from the collection Pearls Project
fashion label
Edition No Genre No Gender, 2007
In cooperation with Brian Shabaglian, New York
Silkscreen printing on shirts and accessories
fashion label
Costume department, movie Speed Racer, 2007
Commission / Costum Design,
Screen printing on costumes
Warner Brothers movie production "Speed Racer"
Film Studio Potsdam - Babelsberg
Regie: Wachowski Brothers (Matrix)
März-Mai, 2007
fashion label
Textile printing for PRADA, 2004
Commission, Textile Design,
painting and silkscreen on PRADA skirts for the Jordan Scott & Ridley Scott film
"Thunder Perfect Mind"
fashion label
Botticelli Sculptures, 2006
digital photographs
fashion label
Edition Galactic, 2004
Silkscreen one-off pieces
Photos: Susanna Kirschnik
Künstlerhaus Bethanien
Models: Ali, Lola, Sandy
fashion label
redlightorange, 2004
Mixed media on wall, 1200x700x380 cm, Künstlerhaus Bethanien, Berlin
The work redlightorange was the MFA final work in the class of Prof. Katharina Grosse
Trendvision 2004 - Fashion_Art_Installation
Group show
Künstlerhaus Bethanien, Berlin
17.01 - 29.02.2004
An exhibition of the Kunstraum Kreuzberg/Bethanien. The two fashion designers and artists from Friedrichshain, Nina Hein (Die Profis) and Ane Lokken (Trendvision), will address the relationship between art and fashion with this exhibition project.
On the search for new forms of expression in fashion, on the borderline between art and dress, artists and fashion designers are invited to experiment with textile materials, physicality and formal language. Innovative forms of presentation and encounters with fashion will be presented that go far beyond conventional forms of presentation. The six-week exhibition will be complemented by a media lounge in which a broad spectrum of digital works, not only by the participating artists, will be shown.
Artists: +Laboratory (Dk), Art Point (Ru), Manuel Bonik (D), Anne Dettmer (D), Amit Epstein (Il), Undine Goldberg (D) Nina Hein (D), Ivana Helsinki (Fi), It's fashion darling (Dk), Andrea Kroth (D), little red riding hood (D), Tatjana Lyng & Sonja Thomsen (Dk), membran (D), ping pong (Ch), pureculture (LV), Bettina Saul (D), Florinda Schnitzel (D), Jacqueline Steinmetz (D), Treuka (D), Andrea van reimersdahl (D), VBL (It, GB, D), Henrik Vibskov (Dk), ping pong (Ch), membran (D)
Curators: Nina Hein and Ane Løkken
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fashion label
Edition Neon, 2003
Silkscreen one-off pieces
