Andrea van Reimersdahl

2019

Grey-Painting

Doubles

from the series Twisted Paintings

Autoprojection

Cliffhanger

2018

Grey

Running Apart

Meshes

2017

ad hoc

Drapery #13

Vancouver Curtains

2016

Codes and Characters

Um den Morast zu umgehen, gingen wir Richtung Osten

2015

Fields

Durch den Zaun gewachsen (8)

a series of Draperies (6)

2014

Identity sucks

Thin Ice

Edition Escapes (112)

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2003 - 2013_ART FASHION LABEL_ van reimersdahl berlin_

2011

Matches Performance

Matches collection

Surface Lab

2010

urban intervention Gender Neutral

2009

Pearls Project

2008

fashion show MQ Vienna

2007

Edition No Genre No Gender

movie production Speed Racer

2006

Sculptures

2004

redlightorange

comission for PRADA

Edition Galactic

2003

Edition Neon

van Reimersdahl SHOPs

2001

Weißensee Kunsthochschule Berlin_That ́s glamorous now

Weißensee Kunsthochschule Berlin_Olympia

2019

Grey-Painting

acrylic paint on both sides on textiles, rubber ropes, concrete bricks, stoppers, headlight, 1000 x 600 x 600 cm, Künstlerforum Bonn

Group Show 0+255 Bonn

Thomas Hawranke
Karwath+Todisko
Andrea van Reimersdahl
Maximillian Siegenbruk,
Vanja Vukovic

2019

Doubles

shooted in the exhibition Graumalerei, 2019, Künstlerforum Bonn

a series of 8 digital photografies and a series of 12 paperworks, arcrylic on paper, 01-012, 30x40cm, 2020

2019

from the series Twisted Paintings

acrylic paint on both sides of textiles, rubber ropes, stoppers, concrete weights, various formats

Studioshots

Groupshow What matters,
Anna Lila May, Andrea van Reimersdahl, Paul Wesenberg, Nachtspeicher e.V, Hamburg
Acrylic paint on both sides of textiles, rubber ropes, concrete weights, spotlights, 350 x 500 x 350 cm

2019

Cliffhanger

acrylic paint on both sides on 34 m2 textiles, rotation motor, technical supplies, fluorescent tubes, 400 x 160 x 150 cm, Meinblau e.V., Berlin

Video documentation: https://youtu.be/U_jG2gC8CRA

Kanako Ishii, Mareike Jacobi, Karwath+Todisko, Katja Kollowa, Christian Meyer, Virginie Mossé, Katja Pudor, Andrea van Reimersdahl, Richard Schütz, Marc Soisson
Performance Karen Linnenkohl

01.03.-17.03.2019
More information: nullplus255.com

The exhibition was supported by:
Pankow District Office of Berlin, Hans and Charlotte Krull foundation, Embassy of Luxembourg in Germany.

2018

Running Apart

Acrylic paint on various textiles, fluorescent tubes, rotation motor, timer, 400 x 300 x 300 cm, Berlin-Weekly, Berlin

Videodocumentation: https://youtu.be/2nDS5LxI2qc

Running Apart is made for the window of Berlin-Weekly. The viewer perceives a spatial composition of several pictorial surfaces inside through the window. The centre of the image is a quotation from a drawing by Kandinsky materialised as lines of light. An automated pulling device changes the space and influences the view of the viewer. In a 4-minute interval, a transparent picture surface is pulled up and obscures his view. The result is a moving painting.

Source:
Kandinsky, point and line to plane,
contribution to the analysis of the pictorial elements
Figure 64, Running apart.

02.03.2018 – 09.04.2018
www.berlin-weekly.com
http://www.stefanieseidl.com/berlinweeklycom/?m=201803

2018

Meshes

Silkscreen print on paper, 42 x 59,4 cm, unique

2017

ad hoc

Acrylic paint and silkscreen on textiles, draped on wooden frames, with pulling devices, as curtain, with body performance, 1000 x 5080 x 330 cm, saasfee*pavillon, Frankfurt a.

The exhibition MODEST MONUMENTS was supported by the Cultural Office of the City of Frankfurt am Main and the Hessian Ministry for Science and Art.

The performance is the opening event of the MODEST MONUMENTS exhibition at the sassfee*pavillon in Frankfurt am Main.

The performance is a dependent, yet self-dynamic part of the spatial installation. A person walks for 60 minutes masquerading van Reimersdahl's space installation AD HOC (to this one) and the adjoining outdoor space. She pauses before the viewer's eyes and demonstrates the mobility of the drapes. At times her appearance fuses with the spatial installation. In the outside space, her figure appears surreal. Occasionally she seeks the closeness of the visitors. The human body is the vehicle on which the fabrics become threedimensional and mobile. Their appearance and their seemingly automated procedure attract the viewer's attention. An obvious documentation is part of the event.

Photographs: Moritz Bernoully and sassfee*pavillon
Performerin: Johanna Wallenborn

Video documentation: https://youtu.be/AOMykUOjYUE

2017

Vancouver Curtains

Commission, Curtains for Concept Store

Leisure Center is a multi-label store for avant-garde fashion design in Vancouver. The space extends over 2000m2 on two floors. In cooperation with Caspar Mueller Kneer Architects a design concept for curtains was developed. From three different fabric qualities, I developed an idea for each floor. The sewn surface was hand-printed in screen technique in Berlin. The graphic design is based on digital drawings. Lines compress or disperse in waves. Printing is done over seams. Unprinted passages alternate with printed ones across the entire width of up to 38 meters. A black-and-white contrast interacts with the transparency of the fabric in interplay with light and shadow. The surface treatment of the textiles makes the curtains unique. Their technical function is sound absorption, daylight regulation and visual protection.

Dimensions ground floor:
Curtain width: 24m in 4 parts
Curtain height: 3,53m
Material: Polyester Trevira CS, flame retardant
Brand: Kobe Safe CS Colour 02 & 012, Nya Nordiska Gloss CS Colour 03

Dimensions: Basement
Curtain width: 38m in 7 parts
Curtain height: 3,24m
Material: Polyester Trevira CS, mixed metal fabric, flame retardant
Brand: Delius cool Lining, Kobe Safe CS Colour 02, Nya Nordiska Gloss CS Colour 03

Photo documentation, Katja Renner, Cafe Moskau Berlin, Hall Moskau

2016

Codes and Characters

acrylic paint & silkscreen on textiles, digital print on curtain, with performance, 400 x 400 x 400 cm, Benhadj&Djilali Gallery, Berlin

The spatial work Codes and Characters by Andrea van Reimersdahl cover room corners and walls and spans an amorphous structure of graphics in the middle of the room. The viewer is forced to make his way through it to reach the rear exhibition space.

A performance marks the start of the group exhibition Open Pieces in the Benhadj&Djilali Gallery. An exposed figure and a photographer move through the exhibition over a period of 60 minutes. The exhibition space and the adjoining outdoor space extend the radius of the textile room installation beyond the gallery space. Treated textiles are presented to performers and photographers as clothing. The figure pauses on her way at various stations. The photographer captures these moments as facets of space and time. Meanwhile, the viewer is in the center of the action.

Performer: Talita Sechi
Photos: Maansi Jain

Groupexhibition Open Pieces, Benhadj&Djilali Gallery, Berlin
With Kanako Ishii, Hervé Humbert, Andrea van Reimersdahl, YBDD

2016

Um den Morast zu umgehen,
gingen wir Richtung Osten

To avoid the mud, we headed east, 2016, silkscreen and foil on fabrics, wooden strips, link chains, eyelets, acrylic glass mirror, fluorescent tubes,1150 x 400 x 270 cm, with performance, Kunsthalle am Hamburger Platz, Berlin

Drapery #11, 2016
acrylic paint & screen print on textiles, wooden strips, link chain, eyelets, ca.130x40x40 cm

Growing through the fence, 2016
ink, marker, pencil on folded paper,
29,5x48,9 cm, wooden frame white 32x32 cm

from the series, VSUS, 2015
ink, marker, acrylic paint, foil on paper, ca.66,2x41 cm,
wooden frame white 92,8x72,8 cm

The Slight Show exhibition and catalogue was funded by the Pankow District Office in Berlin and from the Mart Stam Society.

ESCAPES Performance
As part of the SLIGHT SHOW exhibition at Kunsthalle am Hamburger Platz, an excerpt of the ESCAPES screen-print edition is shown as a staged performance.

The figure, as an exhibit, wears clothing from the edition of hand-made, one-off screen-printed pieces. For a period of 60 minutes, she paces through the exhibition space and the adjoining outside space. Like an algorithm that measures space in stages with the scale of time, the figure pauses at various stations of its performed trajectory. Visible to the visitors, she pauses, motionless, like a sculpture. The person is present but, with her head mask, denies the visitor direct eye contact. The almost mechanical performance, between movement and standstill, is repeated in rhythmic sequence.

Photographs: Annette Hauschild and Ivonne Dippmann
Booklet: 32 pages, edition 200, offset printing, 4/4-colour, Design DIG Berlin, Karsten Heller
Performer: Natia Bakhtadze

2015

Fields

acrylic and silkscreen on textiles, 500 x 435 x 500 cm, Benhadj&Djilali Gallery, Berlin

Textile paintings are fitted into the exhibition space in the manner of walls, tracing the existing architecture. Softness and lightness cover solidity and density. Modular mobile textile paintings create a spatial atmosphere defined by the language of material. Fabric and printed graphics meld into a contrasting overall composition. The play of light and shadow is emphasised by transparency and density of the material. The visitor moves about in an abstract spatial imagery.

A cycle of drawings, FIELDS 01-04, appears between the solid and the textile walls. Quantities of lines proliferate in dynamic movement in front of a grid backdrop.
Ink and pencil on paper, 01-04, 42x29cm.

Fields Part 1:
100%PES velour black, 50%PL / 50%CO (dnw) black, 100%CO black, 100%PES (Jab) white Hand screen printing technique, textile dye, Discharge, foil, curtain tape 5cm / Motive: Lines and areas (pitting, fir needles, branches) / Dimensions: 4,70x4,03m
Fields Part 2:
100%PES (Linello) cream, 50%PL / 50%CO (dnw) black, 70%PES / 30%CO (Siglo) white, manual screen printing technique (printed folded on both sides), textile colour, Discharge, acrylic varnish, foil, curtain tape 5cm / Motive: Lines and areas (pine needles, pitting, fir needles, leaves, branches) / Dimensions: 8,30x4,03m
Fields Part 3:
100%PES (Linello) white, manual screen printing technique, textile dye, foil, textile varnish, reserve paste, curtain tape 5cm / Motive: lines and areas (leaves, grasses, pine needles, fir needles) / Dimensions: 3,40x4,03m
Fields Part 4:
100%PES (Linello) cream, 70%PES / 30%CO (Siglo) white, hand screen printing, textile dye, curtain tape 5cm / Motive: area (leaves) / Dimensions: 2,80x4,03m

Photographs: Annette Hauschild

2015

Durch den Zaun gewachsen (8)

Growing through the fence, 2016, 01-08, ink, marker, pencil on folded paper, various formats

2015

a series of Draperies (6)

01-06, acrylic paint and silkscreen on fabric, eyelets, link chains, various formats

2014

Identity sucks

Billboard, Cologne, 2020

digitale photographs, shooted 2014, revised 2020

Image & text: Reclaim Award, 2020
The Reclaim Award replaces advertisment in public spaces with art.
www.reclaim-award.org

Andrea van Reimersdahl paints in multi-dimensions. Titled “Identity sucks,” she visualizes the notion of moving images interacting above and beyond the exhibition space. In the photograph, the artist depicts herself wrapped in her own paintings. Her identity vanishes and the abstract materials begin to shape. Textures, colors, and materials literally become the artist, and this is how she communicates with her audience.

2014

Thin Ice

acrylic paint, ink, silk screen on fabrics, fluorescent tube, 240 x 300 x 115 cm, Galerie Ursula Walter, Dresden

Thin ice, 2014 by Andrea van Reimersdahl combines aestheticized abstract natural textile print shapes with the carrier material. The staging of the translucent images at the glass facade of the gallery causes the interior and exterior to melt into each other, the boundary becoming diffuse. The amorphous draping of the materials guides the view to the textile painting with its loose hanging, which oscillates between obscuring and revealing.

IN A WILDERNESS OF MIRRORS, 2014, Galerie Ursula Walter, Dresden
Gunnar Borbe, Christian Heilig, Sibylle Jazra, Stefanie Mayer, Nadine Rennert, Richard Schütz, Jörn Gerstenberg, Andrea van Reimersdahl, Matthias Röhrborn

Photographs: Richard Schütz

2014

Edition Escapes (112)

silk screen one-off pieces, Andrea van Reimersdahl & Ivonne Dippmann, Berlin/Tel Aviv

The objective of ESCAPES is to enable the cooperation of two artists at the interface of art and fashion. The analogue production approach of this project forms a clear counter-position to mass production and cut-price textile products in the context of contemporary production structures. ESCAPES places Tel Aviv and Berlin in context as urban action spaces in the form of a dialogue, and thereby merges these socially and politically different "landscapes" into one object.

Edition ESCAPES
by Andrea van Reimersdahl and Ivonne Dippmann,
Berlin - Tel Aviv 2014/15,

112 One-Off-Pieces screen printed by hand.
Photos: Daniel Reiter
Catalogue: https://www.van-reimersdahl.com/files_processed/64dadbbd1d966b87.pdf
Shoes: Trippen, Berlin

2011

Matches Performance

Projekt Galerie, Berlin

Dancer: Caroline Meyer Picard
Music: Christian Meyer
Photos: Christian Del Monte
Fashiondesign/Styling: Andrea van Reimersdahl

In cooperation with performers and interns from the field of fashion- and textile design.In cooperation with performers and interns from the field of fashion- and textile design.

2011

Matches collection

Collektion
van Reimersdahl Shop, Berlin

Photo 01-05 by Christian Del Monte
Photo 06: Presentation displayed in window of Galeria Kaufhof, Alexanderplatz, Berlin
Photo 07: Studio shot

2011

Surface Lab

textile paint on tights. Modifications on shoes

2010

urban intervention Gender Neutral

Cartoon Shirt Edition, Berlin

Cartoon Booklet by Helene Youloune for VAN REIMERSDAHL / Instagram @youloune
Photos: Ines und Miranda

2009

Pearls Project

Fashion Collection: Andrea van Reimersdahl & Bekki Braun
Photos: Karin Betzler & Andrea van Reimersdahl
Model: Anne
Project: Lackschuh

2004

redlightorange

Mixed media on wall, 1200x700x380 cm, Künstlerhaus Bethanien, Berlin
The work redlightorange was the MFA final work in the class of Prof. Katharina Grosse

Trendvision 2004 - Fashion_Art_Installation
Group show
Künstlerhaus Bethanien, Berlin
17.01 - 29.02.2004

An exhibition of the Kunstraum Kreuzberg/Bethanien. The two fashion designers and artists from Friedrichshain, Nina Hein (Die Profis) and Ane Lokken (Trendvision), will address the relationship between art and fashion with this exhibition project.

On the search for new forms of expression in fashion, on the borderline between art and dress, artists and fashion designers are invited to experiment with textile materials, physicality and formal language. Innovative forms of presentation and encounters with fashion will be presented that go far beyond conventional forms of presentation. The six-week exhibition will be complemented by a media lounge in which a broad spectrum of digital works, not only by the participating artists, will be shown.

Artists: +Laboratory (Dk), Art Point (Ru), Manuel Bonik (D), Anne Dettmer (D), Amit Epstein (Il), Undine Goldberg (D) Nina Hein (D), Ivana Helsinki (Fi), It's fashion darling (Dk), Andrea Kroth (D), little red riding hood (D), Tatjana Lyng & Sonja Thomsen (Dk), membran (D), ping pong (Ch), pureculture (LV), Bettina Saul (D), Florinda Schnitzel (D), Jacqueline Steinmetz (D), Treuka (D), Andrea van reimersdahl (D), VBL (It, GB, D), Henrik Vibskov (Dk), ping pong (Ch), membran (D)
Curators: Nina Hein and Ane Løkken

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